She maintains that in the past she did allow self-published authors into her workshops, but "their books were so poorly written, produced and distributed that they had no chance of success in the marketplace." Obviously I can't speak to the quality and/or market success of the books written and published by the self-published authors who came to her workshops. But I can say that it is neither accurate nor fair to assume that they represent the universe of self-published books.
Many authors have chosen to self-publish books that have become big success stories in terms of numbers of copies sold and/or selling the rights to a major publisher after originally self-publishing. Here are some examples:
- The Celestine Prophecy by James Redfield
- The One-Minute Manager by Ken Blanchard and Spencer Johnson
- Life's Little Instruction Book by H. Jackson Brown
- The Joy of Cooking by Irma Rombauer
- What Color is Your Parachute by Richard Nelson Bolles
- In Search of Excellence by Tom Peters
- The Christmas Box by Richard Paul Evans
- Invisible Life by E. Lynn Harris
- My Brother's Keeper by ReShonda Tate Billingsley
- What's Wrong with Dorfman? by John Blumenthal
- Familiar Quotations by John Bartlett
- The Whole Earth Catalog by Stewart Brand
- Legally Blonde by Amanda Brown
- The Artist's Way by Julia Cameron
- The Lazy Man's Guide to Enlightenment by Thaddeus Golas
- Life 101 by Peter McWilliams
You can find lots more of these on John Kremer's Self-Publishing Hall of Fame These books obviously had the potential for success in their original self-published form. We know that because they actually became successful books in the marketplace. So weeding out self-published books from contests, conferences, workshops and such would have eliminated these books as well as their lower-quality companions. And that would have been a mistake.
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